By Diane Long Hoeveler
As British ladies writers within the past due eighteenth and early 19th centuries sought to outline how they skilled their era's social and fiscal upheaval, they helped popularize a brand new kind of bourgeois girl sensibility. construction on her past paintings in Romantic Androgyny, Diane lengthy Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Brontës to teach how those writers helped outline femininity for girls of the British heart class.
Hoeveler argues female-created literary ideology, referred to now as "victim feminism," arose because the Gothic novel helped create a brand new social function sufferer for girls adjusting to the hot bourgeois order. those novels have been thinly disguised efforts at propagandizing a brand new type of behavior for girls, instructing that "professional femininity"—a cultivated pose of clever passiveness and regulated emotions—best ready them for social survival. She examines how representations of either women and men in those novels moved from the merely psychosexual into social and political representations, and the way those writers developed a chain of ideologies that will permit their lady characters—and readers—fictitious mastery over an oppressive social and political system.
Gothic Feminism takes a neo-feminist method of those women's writings, treating them no longer as sacred texts yet as thesis-driven works that tried to teach ladies in a chain of strategic poses. It deals either a brand new realizing of the style and a totally new interpretation of feminism as a literary ideology.
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Extra info for Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës
Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës by Diane Long Hoeveler